Classical Details: A Close Look at the Noah Webster Home

November 2, 2021 Archive Insight

The Noah Webster Home in Greenfield Village was originally designed and built in New Haven, Connecticut, over the course of 1822 and 1823. The home, designed by David Hoadley, is built in the Classical Revival style, popular in the first quarter of the nineteenth century.

The house is loaded with wonderful classical details, some of which include carved Ionic capitals topping solid chestnut fluted columns on the front portico (very appropriate, as they represent wisdom in the Greek order), fluted pilasters (rectangular columns) with side lights and a fan light (window) over the front door, and interesting wooden mutules (large decorative wooden blocks with holes evenly drilled over the surface) lining the underside of the cornice or the soffit. Mutules are elements found on ancient Greek and Roman temples and were originally decorative elements found on rafter ends. The cornice surrounds the pediment (the triangular portion) on the front of the house and runs under the eaves or soffit all around the perimeter.


The front portico of the Noah Webster Home features fluted columns with carved Ionic capitals. The soffit of the roof includes dentil details (more below) and a very fine bead trim at the lower edge. The doorway’s fluted pilasters carry through the column elements with the same carved Ionic capitals. The front door with its fan light is a reproduction based on original examples found in the New Haven region, and the door hardware is also a reproduction of a fine imported English lock set. The porch, steps, and column plinths, along with the front foundation blocks, are all brownstone. / Photo by Jim Johnson




The above shots show details of the mutules on Webster Home. These architectural ornaments were inspired by details found on ancient Greek and Roman temples, and were often seen as ornamentation for rafter ends that would extend under the eave. The details within the mutules were completed in sets of six and could also include “drops” and additional elements that would connect at a right angle to the frieze below the eave cornice. Our examples use a round drilled pattern in sets of six. / Photos by Jim Johnson

All the windows have decorative lintels (horizontal supports at the top), which are further decorated with rows of small blocks known as dentils, because they indeed look like rows of teeth. So, our Webster Home has lintels with dentils. The cornice of the front portico (a roof supported by columns) also features a larger set of dentils, and a very delicate bead molding on the edge of the cornice.



The photos above show details of the decorative window lentils, ornamented with dentils, small wooden blocks that resemble rows of teeth. / Photos by Jim Johnson

Another interesting note about the front façade of the building has to do with the center second-floor window over the portico. Originally, there was not a real window in that opening—it was a dummy window originally included to balance the fenestration (design of the window and door openings) on the façade of the house. All the original site photos show that window with a closed set of blinds (note that shutters are solid covers, whereas blinds have louvers). In recent years, I have worked with our carpentry staff to permanently close the blinds of the “new” window added to the house by Edward Cutler in 1936 in order to return the front of the house to its original appearance.


There was never an actual window in the second-floor center opening. The closed blinds create the illusion of a window that balances the front façade with equal openings top and bottom. / Photo by Jim Johnson

All of these above-mentioned decorative elements continue into the rear of the house, including a very charming small back porch that features transom windows over both back doors and fluted columns with carved Ionic capitals. Also at the rear is the third-floor attic that features a pair of quarter-moon windows, a style immortalized in the house from The Amityville Horror. (This is not lost on an entire generation of our movie-going guests, so we light those windows red for Hallowe’en in Greenfield Village.)


Quarter moon windows on the rear elevation provide light for the attic stairway. The decorative mutule elements can clearly be seen on the soffit of the entire cornice, including the later brick addition. / Photo by Jim Johnson

I should note that due to significant changes to the rear of the house in the nineteenth century, and its reconstruction into a hillside in Greenfield Village, many alterations were made. But, in doing so, the original architectural features were carried forward with excellent craftsmanship and design.



These images show the architectural details of the rear portico. Because of significant changes to the rear of the house in the 1860s, and its reconstruction into a hillside in Greenfield Village, modifications were made to the backside. None the less, original architectural elements were carried through with very high levels of craftsmanship and design. / Photos by Jim Johnson

If all these beautiful details were not enough, front and center in the triangular pediment on the front elevation, acting as a focal point, is a louvered ellipse (oval), which was undoubtedly handmade by a master craftsman (anonymous to us today) in New Haven in 1822. It consists of thin pieces of wood that create a louvered fan radiating from a carved central floret design, all set in a wooden oval frame, or ellipse. Though wonderfully decorative, it also served a function, allowing air and some light into the attic space. In letters sent by Rebecca Webster to Noah Webster while he was away on a long overseas research trip in the 1820s, Rebecca mentions laying out pippins (apples) in the attic.

Early-twentieth-century photographs of the house on its original site in New Haven clearly show the Victorian/Italianate additions that were added to the exterior of the house in 1868 by the Trowbridge family. The Trowbridge family is connected to Mary Southgate, the Websters’ granddaughter, who was raised in the house and married Henry Trowbridge in 1838. They did not take possession of the house until 1849, when it was deeded to them by the Webster estate.

Mary died in 1860 and Henry remarried, thus ending the direct Webster association with the house. Henry took on the renovations of the house with his second wife to make the house more fashionable, both inside and out. In doing so, most of the original Federal-style architectural elements were removed, primarily inside, and were replaced with heavy dark walnut woodwork, doors, and a carved staircase. The interior updates also included marble fireplace surrounds and plaster medallions in all the main room ceilings.

The exterior alterations and additions take the form of one- and two-story bay windows and a large brick addition to the rear of the house. A new Italianate-style dark walnut front door and surround was also installed. Surprisingly, many of the early-nineteenth-century architectural decorative elements were included within the Victorian/Italianate additions, likely to create continuity. This can be seen in the early-twentieth-century photographs that show that mutules have been added to the soffits of all of the 1860s bay windows and the brick addition. At some point, likely in the early twentieth century, all the windows were replaced with large one-over-one pane sashes.


This image, taken March 31, 1934, as part of the Historic American Building Survey, shows the Webster Home on its original site at the corner of Temple and Grove Streets in New Haven, Connecticut. It clearly shows the late 1860s Italianate additions in the form of second-floor bay windows, an Italianate-style front door and surround, and updated one-over-one pane windows. The house was in use as a dormitory by Yale University at the time this photograph was taken. / THF236363


A view of the rear of the house in New Haven, circa 1936, showing the original configuration on level ground. The square Italianate addition and second story bay window were added in 1868. / THF236377

In 1936, Yale University decided to sell the Noah Webster Home to a demolition company for salvage, to make way for new construction. Edward Cutler recalled that the one thing Yale was interested in was the ellipse—for the art school, due to its extraordinary design and craftsmanship. Luckily, Henry Ford’s representatives were able to purchase the house from the demolition company before many of the decorative elements had been stripped off.

Since 1936, the front pediment of the Webster Home has undergone many repairs, siding replacement, and painting. It faces almost full west and takes a beating from the elements. Yet not until now has the ellipse been removed and examined more closely.

Recently, our carpentry team carefully removed the ellipse and took it back to their shop to undergo some repair work. The decision was made to not replace any of its elements, but rather to stabilize the original louvers and do some reinforcements to the center floret element. Further work was done to ensure that no water can get in or around any part of the ellipse. New siding was custom milled for the pediment, including areas where it joins the ellipse, and the molding that surrounds it was restored. Several coats of new paint will further protect this amazing and beautiful survivor.




These images show the 199-year-old decorative ellipse from the front pediment of the Noah Webster Home. It underwent conservation efforts and received several coats of new paint in preparation for its return to its rightful location. / Photos by Jim Johnson




The three images above show the original ellipse being reinstalled in the pediment. / Photos by Jim Johnson

The renovation of the façade of the Noah Webster Home is now complete as the ellipse has returned to its place of honor, ready to withstand the elements for another 200 years. Kudos to the talented carpentry and painting staff of The Henry Ford!


The completed renovation of the façade of the Noah Webster Home. / Photo by Jim Johnson

So, the next time you walk by the Noah Webster Home in Greenfield Village, slow down a bit and linger to allow time to take in the all the details that were intended to be seen—when the speed of life moved at a very different pace, two centuries ago.


Jim Johnson is Director of Greenfield Village & Curator of Historic Structures and Landscapes at The Henry Ford.

#Behind The Scenes @ The Henry Ford, collections care, by Jim Johnson, Noah Webster Home, Greenfield Village buildings, Greenfield Village

Women and Farm Work, 1790s-1930s

October 29, 2021 Archive Insight

“The Farmer Is the Man That Feeds Us All.” The words of that folk tune became indelibly imprinted on U.S. popular culture when Alan Lomax included it as the 66^th out of the 317 songs in Folk Songs of North America (in the English Language) (1960). In fact, linking “the farmer” to “the man” tells only half the story!


Women in classical dress, 1790-1810 / THF152522

Plenty of popular images of women in agriculture exist. The painting above, rendered by a girl in Massachusetts in the early years of the new nation, shows a woman holding a cornucopia. This likely represented either Ceres, the Roman goddess of agriculture, or Copia, the Roman goddess of abundance. The goddess to the far right, holding a branch, might represent Pax, the Roman goddess of peace.


Mode of Spinning and Weaving by the Pueblo Indians, 1857 / THF621691

Abundance and peace marked a stable and secure agricultural society. Yet, farms throughout the expanding United States flourished on lands that matrilineal indigenous societies had managed for centuries before colonization. The Henry Ford acknowledges these matrilineal indigenous societies as stewards of the lands that sustained them for centuries.


Hillsboro County Agricultural and Mechanical Fair Badge, 1852 / THF154922

The popular depictions of goddesses of agriculture, grains, harvest, and fertility continued in U.S. popular culture for decades. The agricultural fair badge above depicts either the Greek goddess, Demeter; the Roman goddess, Ceres; or America’s Lady Liberty—all matrons of agriculture.

In contrast, illustrations in The Farmers and Dairymans Almanac, published the same year (1852), featured only men engaged in the practice of growing crops and rearing livestock. The work fit the seasons—flailing grain, building fence, spreading manure, and bringing in the sheaves—but emphasized that men did agricultural work and ran the business of farming as well.

Male authority over business ventures, including farming, stemmed from legal traditions based in English common law. These included the precedent of feme covert—that married women had no legal civil identity separate from their husbands. Married women were civilly dead. Thus, only single adult women or widows could negotiate the legally binding contracts required to operate farms. Married women could not—their husbands alone had the legal authority to do so. State laws began chipping away at feme covert during the 1820s by granting married women authority over their wages, recourse if abandoned by a husband, or the privilege of parental authority. It took decades, however, before most states afforded married women authority over their property and finances.


Woman milking a cow, circa 1890 / THF228504

Women acted as farmers, nonetheless. They performed many tasks routinely, including milking cows and tending chickens.


Farm scene showing Norwegian women at work in fields off Merrick Road, 1890-1915 / THF38397

Women worked in the fields, too, especially when crops needed planting, cultivating, or harvesting. Sometimes they did this work as a member of a gang of laborers. The companionship might have eased some of the tedium of hoeing around seedlings to reduce competition from weeds, but it did not ease the physical demands of the labor. The women shown above, described as Norwegian by the photographer, work in farm fields near Brooklyn, New York.


Workers in an Onion Field, H. J. Heinz Company, circa 1910 / THF291590

Perishable commodities required everyone to pitch in. The above photograph shows girls and boys, as well as women and men, busy in an onion field under contract to the H. J. Heinz Company.


In a Great Pine Forest, Collecting Turpentine, North Carolina / THF278800

During harvest seasons, farming needs often took precedence over domestic routines and women worked alongside men to get work done as quickly as possible. This included harvesting turpentine from long-leaf pine forests—yes, forestry work is a branch of agricultural work.

Women operated some machinery, too. Illustrated Industries and Geography of America (1882) features women and children raking hay. One illustration (page 96) shows a woman operating a Wheeler & Melick Co. rake, but this and others like it might have been pure advertising ploys, emphasizing ease of operation and celebrating the notion that “many hands make light work.” The description for the Coates Lock-Lever Hay and Grain Rake in Illustrated Industries and Geography of America (page 231) explains that “twenty acres is a fair day’s work, and as any boy or girl who can guide a horse can work it, it will readily be seen how great a labor-saver it is.”

Illustrated Industries and Geography of America (1882), pg. 240 / THF277183

The need to get hay in dry provided opportunities for girls and women to contribute their labor. The 1882 illustration above shows a girl and a boy on horses that generate the power to raise the loaded hay fork and run it along the track to dump hay in the barn. The same illustration shows a woman at work in the dirtiest job, distributing the dumped hay in the mow.


A Rice Raft with Plantation Hands, Near Georgetown, South Carolina, 1901-1909 / THF278804

The work completed by women and children often contributed to the economic solvency of the family farm. They “gleaned” by walking through harvested fields and picking up grain and straw missed by the work crews. The photograph above shows laborers after a day at work in rice fields in South Carolina. The raft transported them and their grain and straw back home, where they hulled the grain for family use or to sell and used the straw as forage or bedding for their livestock.

Other important farm work occurred in domestic spaces. This “women’s work” should not be discounted among farm work. Women and girls ensured food security and kept farms running by raising, processing, and preserving food crops and processing animal products (eggs, dairy, meat). Several farm homes in Greenfield Village tell these critical stories.


Daggett Farm in Greenfield Village, September 2007 / Photographed by Michelle Andonian / THF53544

The Daggett family, of Daggett Farmhouse, had a very set routine of farm and household management tasks. Samuel Daggett ran the business side of the farm. He had to ensure harvests of enough hay to keep the cattle herd healthy, and enough small grains to satisfy family consumption needs and market income. Anna Bushnell Daggett, on the other hand, oversaw the kitchen garden, to ensure harvests adequate to feed the family. The Daggett family raised food they needed for the entire year on their farmland. They had to plan the quantity and quality of plants and vegetables they needed to grow and harvest to ensure family survival. They then had to preserve the crops by pickling, storing (in a root cellar), fermenting, or drying them to ensure a supply throughout the winter months and into the next season.


Illustrated Historical Atlas of the County of Wayne, Michigan, 1876, page 34, detail / THF126026

The Ford farmhouse functioned well under the oversight of Henry Ford’s mother, Mary Litogot Ford. She maintained the busy farmstead while ensuring that her young and growing family was well fed and healthy. She, with the help of neighboring farmgirls, milked the cattle and tended chickens. She may also have helped with pressing seasonal farm work like bringing in the hay crop, but her young family probably consumed most of her attention on the farm. Mary unfortunately passed away on March 29, 1876, and it’s hard to imagine the historical farmstead operating without her at the center (distinctive in her dress in the illustration above, published in 1876) standing with children and chickens.


Firestone Farm in Greenfield Village, September 2007, Photographed by Michelle Andonian / THF52966

Firestone Farmhouse provides insight into the question, “What does it take to put a meal on the table?” This work drove a farm woman’s working day as she prepared three meals each day, 365 days every year. Morning activities focused on the repetitive and time-consuming tasks of preparing, consuming, and cleaning up after breakfast, while also preparing farm-grown produce, eggs, and meat for the noon meal. Other chores, including work in the kitchen garden, processing of dairy products, and tending to the chicken flock, in addition to household chores and childcare, consumed afternoons and evenings. Evenings involved additional preparation for the same tasks repeated the next day, and so on. Disruptions to these routines included celebrations like weddings, somber events such as funerals, and the haste of harvest which increased the farm workload for all.


Mattox Family Home in Greenfield Village, 1991 / THF45318

The center of many farm women’s lives revolved around the backyards of farm homes. Grace Mattox, her ancestors and her children, spent countless hours over decades keeping the backyard of the Mattox Family Home swept. This area, with its nearby brush arbor, provided additional space to get work done, and to visit with relatives and neighbors while they did it. The Mattox children remembered their hardscrabble existence, consisting of constant work to keep the garden cultivated, ripe vegetables processed, and food on the table.

The Henry Ford’s collections and these historic farmsteads in Greenfield Village provide a glimpse into the routines of farm women’s work. Their labor, from sun-up to sun-down, was essential to ensure the health and wellbeing of their families, as well as the smooth operation of their farms. These routines changed by the mid-twentieth century, as processed foods reduced the work required to maintain the family food supply and new farm implements replaced laborers. Often, women pursued off-farm work, but they remained essential to farm operations as their earnings helped family farms make ends meet.


Debra A. Reid is Curator of Agriculture and the Environment at The Henry Ford and Kathleen Johnson is a student at Henry Ford Academy.

Daggett Farmhouse, Greenfield Village buildings, Greenfield Village, home life, food, women's history, farms and farming, agriculture, by Kathleen Johnson, by Debra A. Reid, #THFCuratorChat

Celebrating Women at the Wheel at the 2021 Old Car Festival

September 24, 2021 Archive Insight

After a longer-than-usual pause, Old Car Festival returned to Greenfield Village on September 11–12, 2021. Our celebration of early American motoring included more than 700 registered cars, trucks, motorcycles, and bicycles dating from the 1890s to 1932.

Each year we shine our spotlight on a particular make, model, or theme. For 2021, we celebrated “women at the wheel” in commemoration of the 101^st anniversary of the ratification of the 19^th Amendment, which gave American women the right to vote. The automobile played a significant part in the fight for women’s suffrage. Cars expanded the range and reach of suffragists, allowing them to spread their message to smaller villages and hamlets located away from railroads. The automobile also provided a prominent mobile platform on which to hang signs and banners, and a traveling stage from which to make speeches and calls to action.


Ford Motor Company advertisements promoted the Model T as a source of freedom for American women.

From the start, automakers appealed specifically to women with targeted advertisements and booklets. Makers of early electric cars made a special point of advertising to well-to-do female buyers. Unlike early gasoline cars, electrics were clean, quiet, and required no crank starting or gear shifting. But many women weren’t bothered in the least by the gasoline car’s disadvantages. Alice Huyler Ramsey drove a gas-powered Maxwell across the United States in 1909, becoming the first woman to make the coast-to-coast road trip.


This 1912 Baker Electric was used by five First Ladies of the United States. / THF67884

We celebrated women at the wheel with a very special 1912 Baker Electric Victoria. It was purchased for use at the White House by President William Howard Taft and driven by First Lady Helen Taft. When the Tafts left, the Baker stayed behind and was used by four subsequent First Ladies: Ellen Wilson, Edith Wilson, Florence Harding, and Grace Coolidge. The Baker was retired in 1928 and, shortly thereafter, made its way to The Henry Ford. Guests who made their way to The Lodge at Christie & Main saw the Baker on display alongside our 1922 Detroit Electric, and our replicas of Henry Ford’s 1896 Quadricycle and his 1901 “Sweepstakes” race car.


Dancing under the streetlights, to the music of the River Raisin Ragtime Review, capped off Saturday evening.

Show participants and guests enjoyed a variety of activities built around the three decades represented by Old Car Festival’s vehicles. From the 1900s, we had a group of aged Civil War veterans enjoying a Grand Army of the Republic picnic. From the 1910s, we had a Ragtime Street Fair with music and dancing up and down Washington Boulevard. We had a few American doughboys stationed near Cotswold Cottage as well, lest we forget the Great War and its impact on daily life and industrial production. We commemorated the Roaring ’20s with a community garden party near the Bandstand, and—in keeping with our theme—with a presentation by historian Joseph Boggs on the “New Woman,” who challenged traditional gender norms during that exciting decade.


Expert narrators commented on cars, like this rare 1907 Richmond Merry Widow built by Wayne Works, during Pass-in-Review.

Naturally, those who came for the cars weren’t disappointed. We had everything from Auburns to Willys-Knights parked on every patch of open grass in Greenfield Village. As usual, our team of expert historians was on hand to narrate Pass-in-Review parades that included everything from 19^th-century bicycles (brought by the always entertaining Michigan Wheelmen) to commercial trucks, wreckers and depot hacks. (If you weren’t able to see the Pass-in-Review in person, or would like to catch something again, you can watch the early vehicles, commercial vehicles, and bicycles parades on our Facebook page.) We finished off on Saturday evening with the gaslight tour. Anyone who’s experienced it will agree that watching those early autos parade through the village with their flickering gas and early electric lamps is a magical sight.


Old Car Festival attracts a variety of motive power, but steam cars like this 1909 White Model O are always a hit.

There’s just something special about Old Car Festival. Several participants have told me that the show is the highlight of the year for them—bigger than birthdays and holidays. I think we all found a little extra joy this time out, resuming a beloved tradition that’s been a part of Greenfield Village for 70 years. We’ll look forward to seeing all our friends again in 2022.


Matt Anderson is Curator of Transportation at The Henry Ford.

Michigan, Dearborn, 21st century, 2020s, women's history, voting, Old Car Festival, Greenfield Village, events, cars, car shows, by Matt Anderson

Heritage Apple Trees at Ford Home

September 23, 2021 Archive Insight

William Ford’s farm, depicted in an 1876 county atlas. / THF116253

Farm families in the late 1800s often maintained orchards. Just a couple of apple, pear, plum, or cherry trees could ensure a varied diet and foodstuffs to preserve for winter. And those with land to spare could raise enough excess produce to bring to market.

William Ford, Henry Ford’s father, raised apples for market on his Dearborn, Michigan, farm. The image above, from an 1876 county atlas, shows orchard trees, and the 1880 census of agriculture (collected by the census taker in the summer of 1879) reported 200 apple trees on 4½ acres of the Ford farm—a number that would produce apples well beyond the Ford family’s needs.

Forty years later, apple trees remained part of the landscape at the farmhouse, which was restored by Henry Ford in 1919. Ford’s historical architect, Edward Cutler, drew a map that situated the homestead among outbuildings and trees. It’s difficult to make out, but Cutler identified three varieties of apple trees there—Wagner, Snow, and Greening—that were presumably grown during Henry Ford’s childhood.

At that time, illustrations from horticultural sales books and descriptions in period literature would have helped customers like the Fords determine what fruit tree varieties to buy. An 1885 book on American fruit trees described the Wagner as an early bearer of tender, juicy apples that could be harvested in November and keep until February. A nurseryman’s specimen book itemized the merits of the Snow, “an excellent, productive autumn apple” whose flesh is “remarkably [snow-]white, tender, juicy and with a slight perfume.” And an 1867 book touted the Rhode Island Greening as “a universal favorite” that bears an enormous fruit superior for cooking.




Wagner, Snow, and Rhode Island Greening apple varieties, as illustrated in nurseryman’s specimen books. / THF620189, THF620326, THF620178

When Ford Home was relocated to Greenfield Village in early 1944, Edward Cutler made efforts to represent the surrounding vegetation as Henry Ford remembered it. He included apple trees, though age and condition took their toll on those plantings in the decades that followed. In 2019, The Henry Ford’s staff collaborated with Michigan State University’s Extension Office on a plan to keep the fruit trees of the historic landscapes throughout Greenfield Village healthy. Their strategy involved replacing heritage trees with young stock of the same variety. As part of this project, in April of that year, groundskeepers at The Henry Ford planted new Wagner, Snow, and Rhode Island Greening trees at Ford Home.


Kyle Krueger of The Henry Ford’s Grounds team plants a new Wagner apple tree near Ford Home in Greenfield Village, April 18, 2019. / Photograph by Debra Reid

It will take as many as five years before these new trees bear fruit—as long as weather conditions and the trees’ health allow it—but in the meantime, visitors to Greenfield Village can walk the orchards to check on their progress!


Debra Reid is Curator of Agriculture and the Environment at The Henry Ford. This post was adapted for the blog by Saige Jedele, Associate Curator, Digital Content. It originally ran in a spring 2019 issue of The Henry Ford’s employee newsletter.

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A Western Pennsylvania Farm in the Early Republic Era

September 22, 2021 Archive Insight, Think THF

Join us this Saturday, September 25, 2021, at the William Holmes McGuffey Birthplace in Greenfield Village, as a group of living historians present household and harvest activities and stories of rural western Pennsylvania in 1800.

What forces would have been in play for Anna and Alexander McGuffey in the young American nation at that time?

The first decade of the 19^th century in America saw the rise, through trial and error, of a new nation—our Early Republic. The Early Republic era, which roughly ran from the 1780s through the 1830s, was greatly influenced by world events and national politics. The French Revolution, the rise of Napoleon, and the ongoing war between England and France all challenged, and at times threatened, the newly formed government of the United States. A war with Great Britain, the War of 1812, was fought from 1812–1814.


Thomas Jefferson’s election as president of the United States paved the way for westward expansion. / THF8163

The election of Thomas Jefferson, who served as president from 1801–1809, paved the way for the westward expansion of the United States. At a time when the western frontier was eastern Ohio, the Louisiana Purchase and the Lewis and Clark expedition that quickly followed were huge factors for westward movement in the decades to come. To offer some perspective, the United States population in 1800 was over 5.3 million—of whom nearly one-fifth were enslaved.

By 1800, the McGuffey family, who had settled in western Pennsylvania in the 1780s, followed the traditional seasonal routines of farming. In an area that had been settled for nearly 20 years, no longer a frontier, the Pennsylvania landscape encompassed cleared fields, mature orchards, more substantial homes, and an established community.


Job Roberts’ 1804 book, The Pennsylvania Farmer, showed that farming was common in the state by the turn of the century. / THF625673

The McGuffeys were not isolated, and would have been aware of world events, regional and national politics, and trends in fashion, and would have had access to a wide range of imported goods. They would make their own westward journey into Ohio in 1802.

We hope you can visit us Saturday to learn more about the family and their fall activities.


Jim Johnson is Director of Greenfield Village at The Henry Ford.

Pennsylvania, 19th century, 18th century, William Holmes McGuffey Birthplace, Greenfield Village buildings, Greenfield Village, farms and farming, events, by Jim Johnson

There’s Only One Greenfield Village

August 30, 2021 Archive Insight

Greenfield Village may just look like a lot of buildings to some, but each building tells stories of people. When I wrote The Henry Ford Official Guidebook, it really hit me how unique and one-of-a-kind Greenfield Village is. I wanted to share several stories I found particularly interesting about Greenfield Village.

Researching Building Stories

Whenever we research a Village building, we usually start with archival material—looking at sources like census records, account books, store invoices (like the one below, related to Dr. Howard’s Office), and old photographs—to give us authentic accounts about our subjects’ lives. Here are some examples.


1881 invoice for Dr. Howard. / THF620460

At Daggett Farmhouse, Samuel Daggett’s account book showed that he not only built houses but also dug stones for the community schoolhouse; made shingles for local people’s houses; made chairs, spinning wheels, coffins, and sleds; and even pulled teeth! If you are interested in learning more about how our research influenced the interpretation at Daggett, along with four other Village buildings, check out this blog post.


Daggett Farmhouse, photographed by Michelle Andonian. / THF54173

For Dr. Howard’s Office, we looked at old photographs, family reminiscences, the doctor’s daily record of patients and what he prescribed for them, his handwritten receipt (recipe) book of remedies, and invoices of supplies and dried herbs he purchased. You can read more about the history of Dr. Alonson Howard and his office in this blog post.


Page from Dr. Howard’s receipt book. / THF620470

For J.R. Jones General Store, we used a range of primary sources, from local census records to photographs of the building on its original site (like the one below) to account books documenting purchases of store stock from similar general stores. You can read more about the history of J.R. Jones General Store in this blog post.


Photo of J.R. Jones General Store on its original site. / THF255033

Urbanization and Industrialization Seen through Greenfield Village Buildings

Many Greenfield Village buildings were acquired because of Henry Ford’s interests. But some give us the opportunity to look at larger trends in American life, especially related to urbanization and industrialization.

Engelbert Grimm sold clocks and watches to Detroit-area customers, including Henry Ford, in the 1880s. But Grimm Jewelry Store also demonstrates that in an increasingly urban and industrial nation, people were expected to know the time and be on time—all the time.


Grimm Jewelry Store in Greenfield Village. / THF1947

Related to this, notice the public clock in the Detroit Publishing Company photograph below of West 23^rd Street, New York City, about 1908. (Clue: Look down the street, above the horse-drawn carriage, and you’ll see a large street clock on a stand.) You can read more about the emergence of “clock time” in this blog post.


THF204886

Smiths Creek Depot is here because of its connection with Thomas Edison. But this building also shows us that railroad depots at the time were more than simply the place to catch a train—they were also bustling places where townspeople connected with the outside world. Below you can see a photo of Smiths Creek in Greenfield Village, as well asthe hustle and bustle of railroad depots in a wonderful image of the Union Pacific Depot in Cheyenne, Wyoming, from about 1910.


Smiths Creek Depot in Greenfield Village. / THF1873


Union Pacific Depot. / THF204972

Henry Ford brought Sarah Jordan Boarding House to Greenfield Village because it was home to many of Thomas Edison’s workers. It was also one of three residences wired for Edison’s new electrical lighting system in December 1879—and it is the only one still in existence. In the bigger picture, the mushrooming of boarding houses at this time was particularly due to a shortage of affordable housing in the growing urban-industrial centers, which were experiencing a tremendous influx of new wage laborers.


Sarah Jordan Boarding House in Greenfield Village. / THF2007


Sarah Jordan Boarding House on its original site in Menlo Park, New Jersey, in 1879. / THF117242

Luther Burbank and Henry Ford

Other buildings in Greenfield Village have strong ties to Henry’s personal relationships. Henry Ford met horticulturalist Luther Burbank in connection with the 1915 Panama-Pacific Exposition in San Francisco. That year, Thomas Edison, Henry Ford, and a few other companions traveled there to attend Edison Day. Luther Burbank welcomed them to the area.


Panama-Pacific International Exposition Souvenir Medal. / THF154006

Afterward, the group followed Burbank up on an invitation to visit him at his experimental garden in Santa Rosa, California. Edison and Ford had a grand time there. Burbank later wrote, “The ladies said we acted like three schoolboys, but we didn’t care.”


Thomas Edison, Luther Burbank, and Henry Ford at Burbank's home in Santa Rosa, California. / THF126337

After that visit, the original group, plus tire magnate Harvey Firestone, drove by automobile to the Panama-California Exposition in San Diego. During that trip, Edison proposed a camping trip for Ford, Firestone, and himself. The Vagabonds camping trips, taking place over the next nine years, were born!


“Vagabonds” camping trip. / THF117234

Henry Ford was so inspired by Luther Burbank’s character, accomplishments, and “learning by doing” approach that he brought to Greenfield Village a modified version of the Luther Burbank Birthplace and a restored version of the Luther Burbank Garden Office from Santa Rosa.


Luther Burbank Garden Office in Greenfield Village. / THF1887

Greenfield Village Buildings and World’s Fair Connections

Greenfield Village has several other direct connections to World’s Fairs of the 1930s. At Chicago’s Century of Progress Exposition of 1933–1934, for example, an “industrialized American barn” with soybean exhibits later became the William Ford Barn in Greenfield Village.


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In a striking Albert Kahn–designed building, Ford Motor Company boasted the largest and most expensive corporate pavilion of the same Chicago fair. It drew some 75% of visitors to the fair that year. After the fair, the central part of this building was transported from Chicago to Dearborn, where it became the Ford Rotunda. It was used as a hospitality center until it burned in a devastating fire in 1962.


Ford at the Fair Brochure, showing the building section that would eventually become the Ford Rotunda. / THF210966


Ford Rotunda in Dearborn after a 1953 renovation. / THF142018

At the Texas Centennial Exposition in 1936, a model soybean oil extractor was demonstrated. This imposing object is now prominently displayed in the Soybean Lab Agricultural Gallery in Greenfield Village.


A presenter at the Texas Centennial Exposition demonstrates how the soybean oil extraction process works with a model of a soybean oil extractor that now resides in the Soybean Lab in Greenfield Village. / THF222337

At the 1939 New York World’s Fair, Henry Ford promoted his experimental school system in a 1/3-scale version of Thomas Edison’s Menlo Park Machine Shop in Greenfield Village. Students made model machine parts and demonstrated the use of the machines.


Boys from Henry Ford's Edison Institute Schools operate miniature machine replicas in a scale model of the Menlo Park Machine Shop during the 1939-40 New York World's Fair. / THF250326

Village Buildings That Influenced Famous Men

Several people whose stories are represented in Greenfield Village were influenced by the places in which they grew up and worked, like the Wright Brothers, shown below on the porch of their Dayton, Ohio, home, now the Wright Home in the Village, around 1910.


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In addition to practicing law in Springfield, Illinois, Abraham Lincoln traveled to courthouses like the Logan County Courthouse in Greenfield Village to try court cases for local folk. The experiences he gained in these prepared him for his future role as U.S. president (read more about this in this “What If” story).


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Enterprising young Tom Edison took a job as a newsboy on a local railway, where one of the stops was Smiths Creek Station. This and other experiences on that railway contributed to the man Thomas Edison would become—curious, entrepreneurial, interested in new technologies, and collaborative.


Young Thomas Edison as a newsboy and candy butcher. / THF116798

Henry Ford, the eldest of six children, was born and raised in the farmhouse pictured below, now known as Ford Home in Greenfield Village. Henry hated the drudgery of farm work. He spent his entire life trying to ease farmers’ burdens and make their lives easier.


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Henry J. Heinz

Henry J. Heinz (the namesake of Heinz House in Greenfield Village) wasn’t just an inventor or an entrepreneur or a marketing genius: he was all of these things. Throughout the course of his career, he truly changed the way we eat and the way we think about what we eat.


H.J. Heinz, 1899. / THF291536

Beginning with horseradish, Heinz expanded his business to include many relishes and pickles—stressing their purity and high quality at a time when other processed foods did not share these characteristics. The sample display case below highlights the phrase “pure food products.”


Heinz Sample Display Case. / THF174348

Heinz had an eye for promotion and advertising unequaled among his competitors. This included signs, billboards, special exhibits, and, as shown below, the specially constructed Heinz Ocean Pier, in Atlantic City, New Jersey, which opened in 1898.


Advertising process photograph showing Heinz Ocean Pier. / THF117096

The pickle pin, for instance, was a wildly successful advertising promotion. Heinz first offered a free pickle-shaped watch fob at the World’s Columbian Exposition of 1893. At some point, a pin replaced the watch fob, and the rest is history!


Heinz Pickle Pin "Heinz Homestyle Soups." / THF158839

By the time of H.J. Heinz’s death in 1919, his company had grown into one of the largest food processing businesses in the nation. His company was known for its innovative food processing, packaging, advertising, and enlightened business practices. You can learn more about Heinz House and its journey to Greenfield Village here.

Even More Fun Facts about Greenfield Village Buildings

Most of the time, we focus on big themes that tell American history in relatable ways. When we choose a theme to focus on, we inevitably leave out interesting little-known facts. For example, Cohen Millinery was a dry goods store, a candy store, a Kroger grocery, and a restaurant during its lifetime!


Cohen Millinery at its original site. / THF243213

Surprisingly, for most of its life prior to its incorporation into Greenfield Village, Logan County Courthouse was a private residence. Many different families had lived there, including Mr. and Mrs. Elijah Watkins, the last caretakers before Henry Ford acquired the building. They are depicted below, along with an interior shot of one of their rooms when Henry Ford’s agents went to look at the building.


Mr. and Mrs. Watkins. / THF238624


Interior of Logan County Courthouse at its original site. / THF238596

In the 1820s, eastern Ohio farmers realized huge profits from the fine-grade wool of purebred Merino sheep. But by the 1880s, competition had made raising Merino sheep unprofitable. Benjamin Firestone, the previous owner of Firestone Farmhouse and father of Harvey Firestone, however, stuck with the tried and true. Today, you can visit our wrinkly friends grazing one of several pastures in the Village.


Merino sheep at Firestone Farm in Greenfield Village in 2014. / THF119103

We have several different breeds of animals at the Village, but some of our most memorable were built, not bred. The Herschell-Spillman Carousel is a favorite amongst visitors. Many people think that all carousel animals were hand-carved. But the Herschell-Spillman Company, the makers of our carousel, created quantities of affordable carousel animals through a shop production system, using machinery to rough out parts. You can read more on the history of our carousel in this blog post.


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And there you have it! Remember, odd and anachronistic as it might seem at times—the juxtaposed time periods, the buildings from so many different places, the specific people highlighted—there’s only one Greenfield Village!


Presenters at Daggett Farmhouse. / THF16450


Donna R. Braden is Senior Curator and Curator of Public Life at The Henry Ford. Many thanks to Sophia Kloc, Office Administrator for Historical Resources at The Henry Ford, for editorial preparation assistance with this post.

#THFCuratorChat, Wright Brothers, world's fairs, Thomas Edison, research, railroads, Luther Burbank, Logan County Courthouse, J.R. Jones General Store, Henry Ford, Heinz, Greenfield Village buildings, Greenfield Village, Ford Motor Company, farm animals, Dr. Howard's Office, Daggett Farmhouse, Cohen Millinery, by Donna R. Braden, archives, agriculture, Abraham Lincoln

Eagle Tavern Happy Hour: Maple Bourbon Sour Recipe

August 27, 2021 Think THF

This summer, we’re highlighting some of the cocktails and nonalcoholic “temperance beverages” that are available at Eagle Tavern in Greenfield Village. Inspired by history but with a modern flair, these drinks pay homage to the Eagle Tavern barroom’s Michigan history as a sort of “community center.” We’d love for you to stop by and try one of these refreshing concoctions for yourself—or try making them at home. Today’s feature is the Maple Bourbon Sour.

Maple Bourbon Sour      

Fill a 12 oz glass with ice.                                                            

Add 1 oz bourbon and ½ oz Michigan maple syrup.                                   

Fill to the top with Michigan-made lemonade.

Additional Readings:

• Menu from Clinton Inn (now Eagle Tavern), Greenfield Village, 1952
  
• Root Vegetables, Then and Now
  
• Eagle Tavern Happy Hour: Mint Iced Tea Recipe
  
• Behind the Bar at Eagle Tavern

making, restaurants, Greenfield Village buildings, Greenfield Village, Eagle Tavern, beverages, recipes

Remembering Mose Nowland (1934-2021)

August 25, 2021 Archive Insight

Mose Nowland, with wife Marcia and daughter Suzanne, at The Henry Ford in June 2021.

The Henry Ford lost a dear friend and a treasured colleague on August 13, 2021, with the passing of Mose Nowland. When he joined our Conservation Department as a volunteer in 2012, Mose had just concluded a magnificent 57-year career with Ford Motor Company—most of it in the company’s racing program—and he was eager for something to keep himself occupied in retirement. We soon discovered that “retire” was just about the only thing that Mose didn’t know how to do.

To fans of Ford Performance, Mose was a legendary figure. He joined the Blue Oval in 1955 and, after a brief pause for military service, he spent most of the next six decades building racing engines. Mose led work on the double overhead cam V-8 that powered Jim Clark to his Indianapolis 500 win with the 1965 Lotus-Ford. Mose was on the team behind the big 427 V-8 that gave Ford its historic wins over Ferrari at Le Mans—first with the GT40 Mark II in 1966 and then again with the Mark IV in 1967. And Mose was there in the 1980s when Ford returned to NASCAR and earned checkered flags and championships with top drivers like Davey Allison and Bill Elliott.


Mose with one of his creations during Ford’s Total Performance heyday.

Following his retirement, Mose transitioned gracefully into the role of elder statesman, becoming one of the last remaining participants from Ford’s glory years in the “Total Performance” 1960s. Museums and private collectors sought him out with questions on engines and cars from that era, and he was always happy to share advice and insight. Mose’s expertise was exceeded only by his modesty. He never claimed any personal credit for Ford’s racing triumphs—he was just proud to have been part of a team that made motorsport history. Mose was able to see that history reach a wider audience with the success of the recent movie Ford v Ferrari.

Michigan, Dearborn, The Henry Ford staff, 21st century, 20th century, racing, race cars, philanthropy, Old Car Festival, Model Ts, Mark IV, making, in memoriam, Henry Ford Museum, Greenfield Village, Ford workers, Ford Motor Company, engines, engineering, collections care, cars, by Matt Anderson, #Behind The Scenes @ The Henry Ford